We are reminded in THE RED TURTLE how superfluous words can be. This animated fable from Studio Ghibli, aimed more at adults than at children, is a thoughtful film about the cycle of life, and a sublime cinematic achievement. A masterpiece, in fact. Starting with a shipwreck, it tells the story of a castaway marooned… Read More »
THE HOLLARS — Margo Martindale & John Krasinski Interview
The problem I run into when writing introductions is deciding what to include and what to leave out when listing the interviewee’s previous credits. In the case of John Krasinski and Margo Martindale, there wasn’t much I wanted to leave out (the woman has won THREE Emmys after all), leading me to crack a joke… Read More »
CAFÉ SOCIETY
There is a theological bent to Woody Allen’s CAFÉ SOCIETY. It’s there in the constant bickering between the hero’s parents about whether or not a relative has a Jewish-shaped head. And, furthermore, if he doesn’t, how can he be a proper Jew? Such questions are a Midrash on the actual story, which concerns a young… Read More »
Matt Ross is CAPTAIN FANTASTIC
CAPTAIN FANTASTIC opens with a deer hunt. It’s graphic. It’s violent. Yet there is something about it that shows enormous respect for the animal, and for the young man who brings it down using only a knife. This is not sport, it’s food. That sequence was the first thing I brought up on July 7,… Read More »
PRINCESS
PRINCESS is an intimately observed film that forces us to face some uncomfortable truths. Told with unflinching honesty, completely eschewing the sensational in favor of the perceptive, we are plunged into a 12-year-old’s waking nightmare lived in a highly sexualized atmosphere created by her mother and her mother’s live-in boyfriend. The girl is Adar… Read More »
MARK OF THE WITCH
If Jason Bognacki had focused his undeniable give for arresting visuals while making MARK OF THE WITCH (aka ANOTHER), he would have made a poetically disturbing film about the sins of the parents being visited on their children. Instead, he has cobbled long swaths of irksome exposition into a horror film that grows tedious before… Read More »
DIRTY GRANDPA
We will commence with the flensing of DIRTY GRANDPA momentarily. Before we begin, though, a brief summary of the plot of Mel Brooks’ THE PRODUCERS. In that film, more the original rather than the musical remake, we were delighted by the inspired but appalling behavior of producer Max Bialystock and Leo Bloom, his hapless accountant turned… Read More »
KRAMPUS
KRAMPUS begins in such a promising fashion. Taking the worst that the holiday has to offer in this, the real world of boorish relatives, rampaging hordes of shoppers, and Christmas pageants gone horribly awry, it hopes to build on that to tell an even more horrifying tale of the supernatural comeuppance for losing the holiday… Read More »
NASTY BABY
It’s a toss-up which is more unpredictable: creative impulse when given full rein, or that same impulse when it is stymied, though, perhaps one is a little that is more dangerous than the other. The struggle, be it artistic or procreative, is the theme of Sebastian Silva’s NASTY BABY, a modern fable about family, friendship,… Read More »
Ravi and Geeta Patel Want You to MEET THE PATELS
I have rarely laughed as much as I did when I spoke to Ravi and Geeta Patel on August 13, 2015, it was by Skype, with me in San Francisco, Geeta in North Carolina, and Ravi in Hollywood, but the rapport made it seem like we were all in the same room. The subject was… Read More »