With LONGLEGS, writer/director Oz Perkins has created an original tale of horror set in the 1990s while staying true to familiar tropes. There’s an unhinged suspect, a series of family slaughters that don’t ring true to a murder/suicide scenario, and a neophyte FBI agent at the center of the case in ways she didn’t see… Read More »
AMBULANCE
If Michael Bay is smart, and having a long career as, essentially, a one-trick pony, leads us to believe he must be, he will cast Olivia Stambouliah in all his films from now on. As Lieutenant Dhazghig, the crack surveillance officer in charge of keeping track of where the rogue, and eponymous subject of Bay’s… Read More »
SILK ROAD
There is a wealth of confirmation to be found about many of our worst nightmares in SILK ROAD, a cautionary tale of stereotypes, specialization, and the consequences of absolute freedom. Based on an article by David Kushner in Rolling Stone, it charts the rise and fall of Ross Ulbricht (Nick Robinson), a 20-something idealist of… Read More »
JUDAS AND THE BLACK MESSIAH
The religious overtones of JUDAS AND THE BLACK MESSIAH come towards the end of this searing examination of racial politics during the 1960s. And when they arrive, in a sequence that is most assuredly a shout-out to the Last Supper, director/co-writer Shaka King has earned the right, and then some, to invoke the metaphor. The… Read More »
MARK FELT: THE MAN WHO BROUGHT DOWN THE WHITE HOUSE — Peter Landesman Interview
I loved that Peter Landesman had the same reaction that I did when Deep Throat was finally revealed. That would be “Who’s that?” Bob Woodward’s source for the reporting that eventually brought down the Nixon administration was Mark Felt, an FBI man who kept a low profile while violating his personal code of ethics in… Read More »
THEO WHO LIVED — David Schisgall Interview
THEO WHO LIVED is a story of the remarkable empathy its subject, American journalist Theo Padnos, found for the captors who tortured him after being kidnapped in Syria in 2012. David Schisgall’s sensitive, heart-wrenching documentary about Theo, like Theo himself, finds the humanity in everyone. Preferring to see people as individuals rather than stereotypes, it’s… Read More »
Lo and Behold, Reveries of the Connected World
Werner Herzog brings his dour brand of whimsy to LO AND BEHOLD, REVERIES OF THE CONNECTED WORLD, his consideration of cyberspace. The result is a thought-provoking piece that brings up little-known issues and implications, placing them side by side with the more conventional topics of security and dependence. Indeed, the most arresting moment in the… Read More »
NOW YOU SEE ME 2
The best caper films keep us guessing even while we’re watching the caper in progress. In that way, NOW YOU SEE ME 2 succeeds admirably. The return of the The Horsemen, a band of underground magicians dedicated to truth, justice, and outsmarting everyone around them, including each other, provides several set pieces that are fine… Read More »
MIDNIGHT SPECIAL
MIDNIGHT SPECIAL is a film that plays with its audience’s sense of normality. Beginning in the conventional and slowly, almost imperceptibly, moving us from the quotidian drama of a kidnapped child and a father’s unconditional love, into a boldly unconventional consideration of that elusive point where science and spirituality merge. There is nothing predictable here,… Read More »
BLACK MASS
It is only the smallest of exaggerations to say that there are only two types of scenes in BLACK MASS. One is of James “Whitey” Bulger either having someone executed with a vicious precision, or doing the dastardly deed himself. The other is an assemblage of characters having an extended conversation about what has happened… Read More »