It was only right that when I spoke by phone with Tom Dolby about LAST WEEKEND on September 12, 2014, he was on his porch overlooking a lake. LAST WEEKEND, which Dolby co-directed with Tom Williams from his own script, is set on Lake Tahoe during an emotionally tumultuous Labor Day Weekend for the affluent Green family. One of the… Read More »
Adrien Brody is THE PIANIST, Thomas Kretschmann, his Tormentor
Meeting Adrien Brody and Thomas Kretschmann is like spending time with two old pals who still enjoy joking around with each other even after a difficult shoot in Europe and a grinding publicity tour schedule to promote their extraordinary film, THE PIANIST. Once we began talking about that film, though, they were deadly serious about the subject matter, the… Read More »
Noah Taylor and MAX
It would have been surprising if Noah Taylor hadn’t had a few qualms about playing the Adolph Hitler seen in MAX. Rather than the madman behind the Holocaust, Hitler here is a rather pathetic creature, standing in bread lines along with so much of the rest of the German population after WWI. When we spoke… Read More »
The BASIC John Travolta
John Travolta has been around long enough to know how to have a good time with the press. Though our chat was all too brief, we managed to cover a lot of ground, from the resurgance of the musical, to why BASIC’s director, John McTiernan called him sparky, to religious tolerance. We started, though, with how he plays… Read More »
Andrew Davis and Louis Sachar’s Perfect HOLES
If I had had any doubts about HOLES being one of the big summer films of 2003, they were all put to rest by the audience reaction the film and its makers received at one of the two press screenings that I went to. The audience was packed with kids of all ages who adored Louis… Read More »
The LEVITY of Ed Solomon
Making his directorial debut filming his own script wasn’t the only break Mark Solomon made with his previous work. Unlike the broad comedy he’s done before, LEVITY is a thought-provoking film that isn’t afraid to examine matters religious and moral in a world that offers few absolutes when it comes to right and wrong. It was… Read More »
Jacques Perrin Follows A WINGED MIGRATION
Few have had as varied and rich a career as Jacques Perrin, whose resume includes appearing in and co-producing the classic political thriller Z for Costa-Gavras, making an extended cameo in the French potboiler THE BROTHERHOOD OF THE WOLF, and making fascinating films in homage to the natural world. His MICROCOSMOS took the world by storm… Read More »
Eric Byler Says CHARLOTTE SOMETIMES
There were more than a few surprises in my chat with Eric Byler about his groundbreaking film, CHARLOTTE SOMETIMES. The talk quickly turned from film’s story to the story of the sexual politics within the film and within the Asian-American filmmaking community which has reacted to CHARLOTTE in surprising ways. You may never look at the… Read More »
Mira Nair Goes to VANITY FAIR
To speak with Mira Nair is to enjoy the workings of a remarkable mind, one full of humor, intelligence, and a passionate enthusiasm for the art of storytelling. It’s that last that shines through her adapation of Thackery’s “Vanity Fair”, a rollicking tale of a society tottering between two paradigms. While the conversation rarely strayed from… Read More »
Malcolm McDowell Explains Why He’s GANGSTER NO 1
I spoke with Malcolm McDowell in October 2001 during the Mill Valley Film festival where GANGSTER NO 1 was screening. As charming in person as on film, he spoke eloquently about playing madmen, working with Kubrick and Anderson, and the hazards of taking career advice from writers. GANGSTER NO 1 is a slick and stylish tale… Read More »
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