There is in seeing Rian Johnson’s neo-noir, BRICK, the sense that this is not just a startlingly original, wholly engrossing, and brilliantly plotted piece of work. There is the sense that it is nothing less than a flawless masterpiece made all the more remarkable for being Johnson’s maiden cinematic effort. The idioms of the noir… Read More »
CLERKS 2
CLERKS 2 isn’t just everything a perfect sequel should be, it’s everything a superb film should be, too. Right on top of the zeitgeist, and fiendishly clever in it commentary on it, it skewers political correctness within a profane framework that unwaveringly champions middle class values with an infectious elan. It picks up with the eponymous… Read More »
GRIDIRON GANG
Before seeing GRIDIRON GANG, I would have said that given the right sort of role, one with action, a greater or lesser dash of comedy, and no stretching of a thespian nature, that Dwayne “The Rock” Johnson is a fine screen presence but not much more. I have been proved wrong. There’s humor and a… Read More »
ROCKET SCIENCE
Rites of passage come in many forms, and for Hal (Reece Daniel Thompson), the game but hapless hero of ROCKET SCIENCE, that rite is pizza. Specifically, being able to overcome his stutter long enough to form the words to place the order before a lesser option is forced upon him by the bored lunch ladies… Read More »
THE SAVAGES
There are so many remarkable things about Tamara Jenkins’ THE SAVAGES that it’s hard to know where to start. The masterful performances are a given by pros Laura Linney and Philip Seymour Hoffman as Jon and Wendy, siblings uncomfortable with the idea of family. There is also a subtly optimistic script about the end of… Read More »
BURIED
It would be easy, and a huge mistake, to dismiss BURIED as a stunt film. Sure, Ryan Reynolds spends the entire 94 minutes of the running time buried underground in a box, but such is the imaginative take on the subject by screenwriter Chris Sparling and director Roderigo Cortes, that the struggle of one confined… Read More »
127 HOURS
Danny Boyle doesn’t make it easy for himself. After exploring the teeming slums of India with SLUMDOG MILLIONAIRE, he’s turned in a different direction with 127 HOURS. In it, James Franco, as intrepid hiker Aron Ralston, spends most of the film trapped in a sliver of a crevice carved very deep into one of the… Read More »
SOMETIMES IN APRIL
In SOMETIMES IN APRIL, Raoul Peck (Lumumba), has taken the specific story of the Rwandan genocide of April 1994 and made manifest the universal implications of the events. There is plenty of culpability to go around and Peck is not shy about pointing fingers, but he is also not shy about pointing up the greater… Read More »
THE HITCHHIKER’S GUIDE TO THE GALAXY
I am one of those slavish devotees of Douglas Adams’ Hitchhker Trilogy who can, as a result of manic bouts of reading (the books), watching (the BBC television series) and listening (to the original incarnation produced by BBC radio) recite vast swaths of text. It’s a skill that provokes delight in some, consternation in others,… Read More »
THE LOOKOUT
With fearless performances in Greg Araki’s poetically disturbing MYSTERIOUS SKIN, in Rian Johnson’s piquantly original BRICK and now in writer/director Scott Frank’s THE LOOKOUT, Joseph Gordon-Levitt has established himself as one of the finest actors of his generation. As good as Frank’s script is, and make no mistake, it is superb, it’s Gordon-Levitt who takes… Read More »
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