DRIVE-AWAY DOLLS may be another proof of the universe’s entropy. You know, the rule that posits everything is slowly devolving into a state of disarray and incoherence. Or something along those lines. This effort by Ethan Coen certainly shows flashes of the oddball genius of the films he made with his brother, Joel, but the… Read More »
THE WATERMELON WOMAN
(Written on the initial release of THE WATERMELON WOMAN 20 years ago,). The opening sequence of THE WATERMELON WOMAN gives us a sly look at the social state of American affairs. An African-America lesbian is filming a heterosexual wedding. The bride is white, the groom is black and the wedding party is oh so very civilized.… Read More »
SOUTHWEST OF SALEM — The San Antonio Four and filmmakers Deborah S. Esquenazi and Sam Tabet
I spoke to the San Antonio Four, Elizabeth Ramirez, Cassandra Rivera, Kristie Mayhugh, and Anna Vasquez,on June 20, 2016, it was the afternoon before their film, SOUTHWEST OF SALEM screened at the 40th Annual Frameline Festival. When they and director Deborah S. Esquenazi and producer Sam Tabet appeared on stage after that screening, it was to a five-minute… Read More »
Al Pacino Exalts THE HUMBLING
THE HUMBLING is a throwback to a time when attention spans were longer, characters were created out of complex and even contradictory behaviors, and the story was an extension of the characters, not a glib contrivance. Based on the 2008 novel of the same name by Philip Roth, it is a study of Simon Axler, an actor crumbling as he feels his craft drifting away leaving him in limbo between reality and delusion, comedy and tragedy, meaning and nothingness.