Husband and wife writing team Inon Shampanier and Natalie Shampanier wrote PAPER SPIDERS from personal experience, which gives it that extra gloss of authenticity. While it does not reflect the factual truth of the struggles they had with Natalie’s mother and her diagnosis of persecutory delusional disorder, it does convey the emotional truth of seeing… Read More »
MIDSOMMAR
At the end of MIDSOMMAR, our much put-upon heroine, Dani (Florence Pugh) smiles. It’s her first real smile of the film, and how she got there is a tale of bucolic splendor, ecological harmony, and psychic terror. Brought to us by Ari Aster, the iconoclastic mind behind HEREDITY, it finds in parable and metaphor the… Read More »
NASTY BABY
It’s a toss-up which is more unpredictable: creative impulse when given full rein, or that same impulse when it is stymied, though, perhaps one is a little that is more dangerous than the other. The struggle, be it artistic or procreative, is the theme of Sebastian Silva’s NASTY BABY, a modern fable about family, friendship,… Read More »
Maya Forbes’ Pet INFINITELY POLAR BEAR
Click here to listen to the interview. Maya Forbes has been a screenwriter for years, with co-credits for MONSTERS AND ALIENS and DIARY OF A WIMPY KID to her credit. She was also a writer and story editor on HBO’s groundbreaking THE LARRY SANDERS SHOW. For her directorial debut, though, she chose a script she… Read More »
SPIDER
David Cronenberg’s particular genius is getting inside our deepest, most primal fears, the ones that exist in the id and are impervious to any assuaging from the land of logic. Hence in RABID, Marilyn Chambers grows something suspiciously phallic in a most unexpected place, in VIDEODROME, our televisions turn on us, and in DEAD RINGERS,… Read More »
GARDEN STATE
Only rarely does a film as profound, as rich, and as deeply affecting as GARDEN STATE come along. Even more rarely is it the handiwork of a first-time filmmaker. That would be Zack Braff, known for his role as the philosophically harried intern on the subversively wicked comedy, Scrubs. Braff is Andrew Largeman, a struggling… Read More »
David Cronenberg’s SPIDER
David Cronenberg is on familiar turf with his latest film, SPIDER. The twist is that, while the film is rife with the horror, it stems from seeing the sane world through the eyes of a schizophrenic. When I talked with the soft-spoken and erudite director, I asked why he eschewed his usual trappings of blood and gore.… Read More »
Eric Steel’s View from THE BRIDGE
Eric Steel didn’t exactly make it easy for himself with his directorial debut. THE BRIDGE not only tackles suicide, but it also does so in a direct, visceral way that can’t help but provoke controversy. He, like his film, is quiet and thoughtful on the subject, but also partisan in what he feels are the failings in society… Read More »