MAGGIE MOORE(S) is a nifty neo-noir that deftly plumbs the seeping corruption underlying the dull quotidian of a small southwestern city, trading the usual stark contrast between light and shadow for an oppressive sort of omnipresent sunlight that shows everything but reveals nothing. Beginning with a murder in a seedy motel parking lot, it flashes… Read More »
NOW YOU SEE ME 2
The best caper films keep us guessing even while we’re watching the caper in progress. In that way, NOW YOU SEE ME 2 succeeds admirably. The return of the The Horsemen, a band of underground magicians dedicated to truth, justice, and outsmarting everyone around them, including each other, provides several set pieces that are fine… Read More »
Neil Burger Unveils THE ILLUSIONIST
When I spoke with Neil Burger on July 31, 2006, it was impossible to not start with his previous film, INTERVIEW WITH THE ASSASSIN. Both that film and THE ILLUSIONIST deal with what is real and what is a clever bit of misdirection. His newest film, though, boasts not just a fiendishly clever plot, but also… Read More »