The advantage of seeing outstanding actors in a middling film is that you can appreciate just how good they are on a whole new level. And INSURGENT is certainly a middling film, though that is an improvement on the last installment in this franchise, DIVERGENT. With a new director, Robert Schwentke, bringing Veronica Roth’s YA… Read More »
GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF
Alex Gibney has proven himself an able and engaging documentarian, bringing to light with films such as TAXI TO THE DARK SIDE, ENRON: THE SMARTEST GUYS IN THE ROOM, and most recently THE ARMSTRONG LIE, the hubris, self-deception, and other foibles of human nature that allow people to commit crimes without ever quite admitting to… Read More »
Brian Sloan has A WTC VIEW
WTC VIEW was the first play from The New York International Fringe Festival to make the leap to the big screen in 2005, but playwright Brian Sloan resisted the temptation to fundamentally change the nature of his play by opening it up beyond the one apartment in which it takes place. The metaphor of a… Read More »
FOCUS Needs Some Adjustment
Glenn Ficarra and John Renqua have made some films that are close to my heart. BAD SANTA, I LOVE YOU PHILLIP MORRIS, CRAZY STUPID LOVE are movies that are funny and smart without resorting to schmaltz. Instead, they are subversive satires about human nature, and what happens when wide-eyed innocence meets conniving manipulator. The same… Read More »
David Cross Takes the HITS
David Cross was off coffee because of a stomach ailment when I talked to him on February 5, 2015 just before his film, HITS, kicked of SFIndieFest. Opting for tea, and overcoming his distaste for the bergamot in his Earl Gray, he was a lively conversationalist as we discussed his maiden effort writing and directing a feature film.… Read More »
Perry Blackshear, MacLeod Andrews & Evan Dumouchel Insist that THEY LOOK LIKE PEOPLE
THEY LOOK LIKE PEOPLE is a first-rate existential horror film, as well as a psychological thriller. I got the same vibe watching it that I had gotten watching PI and BRICK, the maiden efforts of Darren Aronofsky and Rian Johnson respectively. Writer/director Perry Blackshear understands more than just how to create evocative, even sumptuous, visuals, he knows… Read More »
Tiffany Ward & Rob Minkoff Bring MR PEABODY & SHERMAN to Glorious Life
You better be careful when you take on a classic. For more than one generation, Mr. Peabody and his boy Sherman were must-see television, as were the other denizens of the Jay Ward animation world, which includes Rocky, Bullwinkle, and Dudley Do-Right. Other adaptations for the big screen of Ward’s work have not been successful,… Read More »
Rory Kennedy Investigates the LAST DAYS IN VIETNAM
I speak as someone who can remember the fall of Saigon, and the iconic images that graces magazine covers in the days and weeks that followed. Yet, when I saw Rory Kennedy’s LAST DAYS IN VIETNAM, I realized just how much we still don’t know about the events surrounding that crushing blow to American pride.… Read More »
John Lloyd Young, Michael Lomenda and Erich Bergen ARE the JERSEY BOYS
It would, perhaps, be more of a surprise if, in the course of an interview, no one from JERSEY BOYS did an impression of their co-star Christopher Walken. I may have forced the issue just a little by asking John Lloyd Young, Michael Lomenda, and Erich Bergen if being in Walken’s proximity prompted them to… Read More »
DEAR WHITE PEOPLE says Justin Simien
To say that talking with Justin Simien was a master’s class in film and culture theory is understating it. Simien believes that film is the culmination of everything we do as a culture. This is why he invoked Spike Lee, Paddy Chayefsky, George Orwell, and Moliere in our conversation about DEAR WHITE PEOPLE, his bracing look… Read More »
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