Fearless is a good word to describe John Leguizamo. Think of the roles he’s chosen over the years, Toulouse-Lautrec in Baz Lurhman’s MOULIN ROUGE, a tortured loser in Spike Lee’s SUMMER OF SAM, a sassy transvestite in TO WONG FOO and, especially, the one-man shows that he writes as well as performs where he opens himself… Read More »
Adrien Brody is THE PIANIST, Thomas Kretschmann, his Tormentor
Meeting Adrien Brody and Thomas Kretschmann is like spending time with two old pals who still enjoy joking around with each other even after a difficult shoot in Europe and a grinding publicity tour schedule to promote their extraordinary film, THE PIANIST. Once we began talking about that film, though, they were deadly serious about the subject matter, the… Read More »
The BASIC John Travolta
John Travolta has been around long enough to know how to have a good time with the press. Though our chat was all too brief, we managed to cover a lot of ground, from the resurgance of the musical, to why BASIC’s director, John McTiernan called him sparky, to religious tolerance. We started, though, with how he plays… Read More »
Joel Schumacher’s PHONE BOOTH
Joel Schumacher knows how to put on a show. Whether it be a full-blown flight of fantasy such as BATMAN AND ROBIN or the more confined space of PHONE BOOTH, in which we spend almost 90 minutes trapped in one with Colin Farrell. Schumacher may not always avoid kitsch, but he’s rarely boring. The same is… Read More »
Andrew Davis and Louis Sachar’s Perfect HOLES
If I had had any doubts about HOLES being one of the big summer films of 2003, they were all put to rest by the audience reaction the film and its makers received at one of the two press screenings that I went to. The audience was packed with kids of all ages who adored Louis… Read More »
The LEVITY of Ed Solomon
Making his directorial debut filming his own script wasn’t the only break Mark Solomon made with his previous work. Unlike the broad comedy he’s done before, LEVITY is a thought-provoking film that isn’t afraid to examine matters religious and moral in a world that offers few absolutes when it comes to right and wrong. It was… Read More »
Rachel Weisz Describes THE SHAPE OF THINGS
Rachel Weisz radiates intelligence as intensely in person as she does in her film roles. Hardly surprising considering that she took top honors at Cambridge. When I spoke with her on April 14, 2003, it was to promote THE SHAPE OF THINGS, but I couldn’t help asking about another film of hers that was also about… Read More »
John Malkovich Captures THE DANCER UPSTAIRS
John Malkovich is a man who likes to take his time, whether putting together THE DANCER UPSTAIRS, his directorial debut in films, or in answering questions and about the art and craft of acting on stage and on screen. It led to a fair amount of philosophizing when I interviewed him on April 17, 2003 and a… Read More »
Eric Byler Says CHARLOTTE SOMETIMES
There were more than a few surprises in my chat with Eric Byler about his groundbreaking film, CHARLOTTE SOMETIMES. The talk quickly turned from film’s story to the story of the sexual politics within the film and within the Asian-American filmmaking community which has reacted to CHARLOTTE in surprising ways. You may never look at the… Read More »
Richard Kwietniowski Gambles on OWNING MAHOWNY
Richard Kwietniowski developed quite a following with his first feature film, LOVE AND DEATH ON LONG ISLAND. That most improbable of love stories demonstrated his knack for telling stories of the unexpected with a delicate wit and a sharp insight. The same is true for OWNING MAHOWNY, an improbably absorbing tale of a dull man, played… Read More »
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