What PIRATE RADIO does that is so remarkable is to capture as closely as a film can what it was like to be a fan of rock & roll at a time when it was considered not just noise, but actual subversion. Of course, in a way it was. This music was the anthem of… Read More »
THE HURT LOCKER
Among the many arresting images in THE HURT LOCKER, the one that may be the best at putting the audience in the position of the American army bomb squad fighting a futile war in Iraq, is also one of the most quiet. Its during what started out as a routine mission to gather up bomb-making… Read More »
BIG TROUBLE
BIG TROUBLE, you might recall, was pulled from its original fall 2001 release because of the incidents of 9/11. The film’s finale features a plane hijacking and a really big bomb. Releasing it then would have been so far beyond wrong that a whole new circle would have had to be added to Hell order… Read More »
CITY ISLAND
The Rizzo Family of CITY ISLAND is a family of secret smokers. That smoke, though, is just a screen for the many other secrets that lurk amid this close-knit but volatile family, one that has no problem expressing itself, but not as much talent in sharing confidences. In fact, most of the secrets, smoking included,… Read More »
EMPIRE
EMPIRE is a nitty, gritty look at life on the mean streets of the wrong part of New York. Its message, crime doesn’t pay, isn’t a new one, but any film that proffers a moral compass is one worth paying attention to. Also worth paying attention to is co-producer John Leguizamo’s performance as Victor Rosa,… Read More »
THE WORLD’S END
The Cornetto Trilogy comes to a superb conclusion with THE WORLDS END. Director Edgar Wright again teams with the regular cast of co-writer Simon Pegg as the anti-hero, and Nick Frost as the humorless corporate lawyer, along with newcomers Eddie Marsan as the grinning bunny rabbit of a car salesman, Paddy Considine as the enterperneur… Read More »
HOLES
There is an attitude among some filmmakers that children’s films should be anything but sophisticated, rather, they should be simple in theme and execution and excruciating for anyone over the age of five. Not just the flicks for little kids, either, as evidenced by such recent mush as WHAT A GIRL WANTS. And for those… Read More »
THE SHAPE OF THINGS
Neil LaBute starts his latest film, THE SHAPE OF THINGS, off with a sly dig at what the story is going to be about. His stars are not given character names in the credits, they’re listed as “actress” or “actor” in much the same way that credits traditionally list “director” or “writer”, both of which… Read More »
CHARLOTTE SOMETIMES
A woman rises naked from the bed of her lover, dresses, walks outside and up the stairs of her duplex to spend the rest of the night, platonically, with another man. With that opening sequence of CHARLOTTE SOMETIMES, Eric Byler engages his audience from the first frame of film in a way that is irresistible.… Read More »
MOSTLY MARTHA
As Martha, the heroine-chef of the German film, MOSTLY MARTHA, explains it, she’s not obsessive. She’s precise. Being the chef at a trendy restaurant in Hamburg requires split-second timing and an attention to detail that to the untrained eye might seem obsessive, but isn’t. At least according to Martha. Of course, she’s explaining this to her therapist, the… Read More »
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