BLACK BAG is a scathingly brilliant take on truth, lies, and the sanctity of marriage, and the perfect vehicle for Cate Blanchett and Michael Fassbender. A good marriage that is, such as the one enjoyed by George Woodhouse (Fassbender) and Kathryn St. Jean (Blanchett), British spies with the highest security clearance They are the perfect… Read More »
LUCE
LUCE is less a film than a political dialectic on race and class in these United States, and a brilliant, exquisitely performed one at that. Told with a deliberate, sometimes maddening ambiguity, it challenges the audience at every turn about where the truth lies, and the limits of familial loyalty. By the end, not every… Read More »
PHONE BOOTH
One of those wise old Greeks, perhaps it was Socrates, said that the unexamined life is not worth living. And in PHONE BOOTH, there’s a psycho with a gun who’s taken that bit of philosophy way too literally. This being a Joel Schumacher film, he of FLATLINERS and BATMAN and other flights of high-flown fancy,… Read More »
Andrew Jarecki on CAPTURING THE FRIEDMANS
For a debut film, Andrew Jarecki couldn’t have picked a more controversial or attention-grabbing subject that child sexual abuse. Yet his film dealing with the emotional impact on the family of the accused father and son transcends sensationalism and becomes a consideration on the nature of truth and universality of family life. When I spoke to… Read More »
Tony Gilroy Pulls the Strings on MICHAEL CLAYTON
Tony Gilroy is no stranger to the inner workings of law firms. He researched how things operated while writing the screenplay for THE DEVIL’S ADVOCATE, but with MICHAEL CLAYTON, which marks his directorial debut, he kept things strictly out of the supernatural realm while still exploring the evil at work in the world. When we… Read More »