JANE GOT A GUN tries to evoke Leone (check the duster Jane sports) and Ford (check the mesas that surround her), but without the intensity of the former, or the adventure of the latter. What’s left is a stereopticon of a post-modern morality tale that can’t overcome its own inertia.
THE SQUARE
Click here to listen to the interview with Joel Edgerton (17:21)THE SQUARE is a film noir in the classic mold but with a distinctly contemporary flavor. A good man, the temptation of a younger woman, and an indistinct dream of a happily ever after far from the monotony of a cushy, if bland, married life.… Read More »